Rand McNally Pocket Maps

Rand McNally Pocket Maps, 2013-In Processing.

Rand McNally Pocket Maps, 2013-In Processing.

The Princeton Collections of Western Americana recently acquired 36 nineteenth and twentieth-century folding pocket maps of the American West (primarily published by Rand McNally). With the exception of Texas and Hawaii, every state West of the Mississippi is represented, including Alaska, and the dates range from 1891-1930.

Rand McNally Indexed Pocket Map & Tourists' and Shipper's Guide, ca. 1923.

Rand McNally Indexed Pocket Map & Tourists’ and Shipper’s Guide, ca. 1923.

The pocket books contain indexes of counties, cities, towns, and villages, as well as post offices, railroads, electrical lines, and telegraph and mail services.

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The Santa Fe Southwest Enchanted Land

Along with the maps and indexes, the pocket books also have advertisements for tourists, such as The Santa Fe Southwest Enchanted Land advertisement shown above, and multiple advertisements for products targeting the weary traveler (and likely the traveling salesman).

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Revive: Clothes shiny and greasy? Take a Shine-Off cake wherever you go. It won’t spill!

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Refresh: Chances are your face is sore and tender, but “Don’t Blame Your Razor.”

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Recover: Mentholatum, a healing cream that also quickly soothes tired, throbbing feet.

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Transcend: The Master Key, “a message of such transcendental importance that every reader of this map, whether man, woman or child, should answer it immediately.”

To find these and other Rand McNally holdings in the Department of Rare Books and Special Collections, see: Rand McNally and Co. 

The Wild West Comes to Princeton

Printed on verso: "Pawnee Bill in Princeton. May 15th 1899.  The Indians."

Printed on Verso: “Pawnee Bill in Princeton. May 15th 1899. The Indians.”

Gordon William Lillie, better known as Pawnee Bill, began his entertainment career in “Buffalo Bill Cody’s Wild West Show” serving as the interpreter and coordinator for the Pawnee Indians.  While on tour in Philadelphia, Gordon met May Manning, whom he married two years later, and May’s parents convinced Gordon to venture out with his own western show.  His first attempt in 1888, “Pawnee Bill’s Wild West Show,” proved to be a financial failure. His second attempt in 1899, however, “Pawnee Bill’s Historical Wild West, Indian Museum, and Encampment,” found greater success.

The Historic Wild West Comes to Town

Screen Shot 2013-05-27 at 10.42.21 AMOn May 15, 1899, Pawnee Bill’s Historical Wild West was set to perform in Princeton.  Leading up to the event, the Daily Princetonian ran several advertisements highlighting the coming extravaganza.  An illustrated advertisement on May 6 mentions a reorganized, rearranged, improved, and augmented show presenting  1,000 men, women, horses, Indians, and soldiers with performances to be held at 2:00 p.m. and 8:00 p.m., as well as a Grand Street Display (a parade on Nassau Street) at 10:00 a.m.  A May 9 advertisement describing an earlier performance in Charleston, South Carolina, provides a glimpse of the action to come (including a mention of May’s shooting):

The combined shows of Pawnee Bill which exhibited here [Charleston] yesterday is first-class in every respect: as a life-like portrayal of savage modes, it has no equals …. The performances of the trained animals were excellent, and equal to any every exhibited in this city.  May Lillie’s shooting is wonderful, and the riding and driving of 35 wild mustangs are all grand features.  The wild buffaloes and long-horned Texas steers, the grand Mexican Hippodrome races, by senors and senoritas, are most wonderful and exciting.

A Bloody Riot on Nassau Street

While various newspaper accounts of the activities on May 15 differ slightly, all report that the Grand Street Display did not go well.  According to an article that ran the following day in the New York Times, “Princeton Students Riot, Attack Pawnee Bill’s Wild West Combination,” the town had an unwritten law which forbid touring parades from proceeding on the streets of Princeton, and “it had been a matter of common knowledge in the [touring] profession that the students would enforce the unwritten law.”  With the Grand Street Display set to go forward as advertised, a large group of students, reported as 600-700, had gathered on Nassau Street that morning to meet the parade, and several of the students welcomed the performers by slinging mud, eggs, potatoes, and firecrackers.  The firecrackers startled the horses which caused a brief run-away wagon until one of the lead horses fell.  The procession continued down Nassau Street, but unfortunately, the parade route was a loop, and on the second trip through the gauntlet of flying produce, the cowboys and Indians began to “use their whips freely” and the stung students replaced their harmless projectiles with stones.  The scene soon escalated into a full and deadly skirmish:

Then the cowboys and Indians retaliated.  Some of them drew their revolvers and began to fire, but they either used blank cartridges or fired over the heads of the crowd.  Others, however, unslung their lassoes and used them as whips. Some of the Mexican or South American cowboys unslung their bolas and used these with great effect, the leaden-covered ends being exceeding effective.  The cowboys charged the crowd several times and rode down those who could not get out of the way.  In this manner Elwood Dillon, a colored man, was knocked down, kicked in the head by a pony and his skull fractured.

As the fighting continued, the wagons were driven rapidly down Nassau Street to safety. The horses of a speeding stage-coach, “Fort Sill,” can be seen entering the frame of the following photograph, appropriately titled “Fort Sill Stage-Coach Runs Away.”

Printed on Verso: "Pawnee Bill in Princeton. May 15th 1899. The Fort Sill stage-coach runs away."

Printed on Verso: “Pawnee Bill in Princeton. May 15th 1899. The Fort Sill stage-coach runs away.”

Along with Elwood Dillon, several students and performers were injured and bruised in the pitched battle on Nassau Street, and the unfortunate seriousness of the event required action from the university:

The students were preparing for a lively time to-night when this afternoon President Patton summoned every member of the university to attend a mass meeting.  He forbade them to go to the circus to-night, and said that if any student disobeyed him it would be at the student’s peril.  Major Lilli [sic], owner of the show, was present and made a speech, which aided in pouring oil on troubled waters.

Pawnee Bills Wild West Show lives on today in annual reenactments on the last three Saturdays of June at the historic Pawnee Bill Ranch in Oklahoma: Pawnee Bill Ranch.

The photographs of Pawnee Bill’s Wild West Show on Nassau Street are part of the Western Americana Photography Collection, which houses more than 10,000 photographs pertaining to the American West.  Nearly 7,000 images in the collection are available online in the Princeton University Digital Library.  Below is a gallery of related Buffalo Bill and Pawnee Bill photographs from the collection.

Bibliography:

Brown, Erin Glanville. “Pawnee Bill (Gordon William Lillie, 1860-1942).” Encyclopedia of Oklahoma History and Culture. http://digital.library.okstate.edu/encyclopedia (accessed June 27, 2013).

“Pawnee Bill’s Historic Wild West.” Daily Princetonian. May 6 and May 9, 1899. http://theprince.princeton.edu (accessed June 27, 2013).

“Princeton Students Riot. They Attack Pawnee Bill’s Wild West Combination.” New York Times. May 16, 1899. http://query.nytimes.com/mem/archive-free/pdf?res=F60D17F6345911738DDDAF0994DD405B8985F0D3 (accessed June 27, 2013).

Drake Bros. Studio Photograph Collection

A recent addition to Princeton’s Manuscripts Division and Collections of West­ern Amer­i­cana, the Drake Bros. Studio Photograph Collection contains photographs and related manuscript material that provides a visual record of Silverton, Oregon, and surrounding areas in the late 19th and early 20th centuries. The collection contains nearly nine hundred photographs from the Drake Bros. Studio, most with the studio stamp on the back along with detailed manuscript notes by June D. Drake (1880-1969), including dates, identification of individuals, and the names of buildings and streets (many of which no longer exist in Silverton).  Photographs dated before 1900 are primarily copies of images taken by William L. Jones and other noted Oregon photographers. The collection may be the working files for Drake’s unpublished history of Silverton and environs.  Manuscript material includes notes and newspaper clippings on the history of Silverton and Silver Falls State Park, as well as the Drake and Schoenfeld families.

About June D. Drake and Drake Bros. Studio

Photographers June D. Drake and his brother Emory Roy Drake founded Drake Bros. Studio in 1900 in Silverton, Oregon. Four years later the brothers bought out the business of W. L. Jones, a noted 19th-century Oregon pioneer photographer, and added his negatives to their inventory. The brothers operated together until 1908, when a fire destroyed their studio; very few images were salvaged. June Drake continued to photograph in a new studio until his retirement in 1960.  June was also a local historian interested in documenting Silverton history through his images as well as written essays.  Several of his local history pieces were published in the Silvertonian and Silverton-Appeal newspapers.

Silverton Falls State Park

Drake was also a vocal advocate for the preservation of Oregon’s natural beauty, and perhaps his greatest achievement was his contribution to the establishment of Silver Falls State Park.  Drake photographed all ten of the park’s falls from as early as 1902 and created many travel brochures, pamphlets, and postcards to raise awareness around Oregon and the Pacific Northwest of the need to protect this area from logging. Now covering more than 9,000 acres, Silver Falls is the largest state park in Oregon, and one of the most popular trails for photographers visiting the park is the Trail of Ten Falls.

A detailed description of the Drake Studios Photograph Archive can be accessed via the Princeton University Finding Aids site: Drake Bros. Studio Photograph Collection.

2021 Update: online reference images can now be accessed via the Princeton Collections of the American West digital portal or the collection Finding Aid.

Biographical and descriptive text throughout is adapted from the inventory description provided by Kol Shaver and edited by Valerie Addonizio.  Finding Aid and folder inventory written by Jameson Creager, Class of ‘2015.

Exhibiting the American West

Daniel Gano Gold Rush Scrapbook

Daniel Gano Gold Rush Scrapbook,1846-1850. Online.

Several items from Princeton’s collections of Western Americana are currently on display in the Firestone Library Main Gallery exhibition, “A Republic in the Wilderness: Treasures of American History from Jamestown to Appomattox.”  The exhi­bi­tion begins with early Eng­lish set­tle­ment, including con­tact with the native peo­ples, and then traces the growth of the Amer­i­can nation to the end of the Civil War.  For more about the exhibition and related lectures and events, including an online exhibition, see the Manuscripts Division announcement, A Republic in the Wilderness.

The exhibition includes several works by leading figures of the American West, including artwork by George Catlin, William Henry Jackson photographs of Native Americans, a Brigham Young Letter and the first edition of the Book of Mormon (Palmyra, N.Y., 1830), and multiple manuscripts and other printed works highlighting the Westward expansion.  Below are a handful of items currently on display with labels provided by the exhibition curators, Don Skemer, Curator of Manuscripts, and Anna Chen, Assistant Curator of Manuscripts.

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Photographs of North American Indians, 1847–1865. Clockwise from upper left: Op-Po-Noos (photograph by Thomas M. Easterly, 1847); Cut Nose (photograph by Joel E. Whitney, ca. 1862); Unidentified Dakota Man (photograph by James McClees Studio, ca. 1858); Medicine Bottle (photograph by Joel E. Whitney, 1865); Bum-Be-Sun (photograph by Thomas M. Easterly, 1847); Ma-Za-Ka-Te-Mani (photograph by James McClees Studio, 1858). Western Americana Photographs Collection.

These photographs of Sac and Fox and Dakota Indians belong to one of two albums containing more than 1,000 mounted albumen prints, including portraits of delegates to Washington, D.C., expedition photographs, and early Western studio portraits. They were probably compiled by renowned photographer William Henry Jackson (1843–1942), who may also have written the numbers in the corner of each photograph.

The William Henry Jackson Albums are included as part of the nearly 7,000 Western Americana photographs digitized for the Princeton University Digital Library. To view the entire albums, see Photographs of North American Indians.

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Carleton Watkins (1829–1916), Lake Ah-Wi-Yah, Yosemite Valley, California, 1861. Gift of Thomas Lange. Western Americana Photographs Collection.

After emigrating from his hometown of Oneonta, New York, in 1851, Carleton Watkins found work as a photographer’s aide in San Francisco. Once in business for himself, he began photographing the Yosemite Valley and California mining scenes. His stereoviews and mammoth photographs of Yosemite made him famous and helped to influence federal legislation to protect the valley, which President Abraham Lincoln (1809–1865) signed on June 30, 1864.

Lake Ah-Wi-Yah and seventy other photographs by Carleton Watkins are also available in the Princeton University Digital Library.  See Carleton Watkins

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Brigham Young (1801–1877), Letter to Harriet Cook Young, June 23, 1846. Gift of Edith Young Booth. Brigham Young Collection.

After Joseph Smith (1805–1844), the founder of the Mormon faith, was killed by a mob in 1844, Brigham Young took over the leadership of the Church of Jesus Christ of Latter-day Saints. To escape anti-Mormon persecution, he led a vanguard westward, reaching the Salt Lake Valley in July 1847. During the journey, he wrote this letter to his fourth wife, Harriet Cook Young (1824–1898), whom he had secretly married and left in Nauvoo, Illinois, urging her to come west. She arrived in Salt Lake City in September 1848.

In 2012, Princeton’s Brigham Young Collection was digitized for an undergraduate history course on the American West.  See Brigham Young Collection.

To view these and other Western Americana highlights currently on display, visit the Main Gallery of the Firestone Library now through August 4, 2013. For hours and information, see Information for Visitors.  The Firestone Library is located on the corner of Nassau Street and Washington Road (#5 on the campus map) and the address for GPS directions is One Washington Road, Princeton, NJ, 08544.